Friday 30 November 2012

Sing along!

Old MacDonald had a Farm 

Old MacDonald had a farm, E-I-E-I-O.
And on his farm he had a cow, E-I-E-I-O.
With a moo, moo here and a moo, moo there,
Here a moo, there a moo,
Everywhere a moo-moo,
Old MacDonald had a farm, E-I-E-I-O.

Old MacDonald had a farm, E-I-E-I-O
And on his farm he had a pig, E-I-E-I-O
With an oink, oink here and an oink, oink there
Here an oink, there an oink,
Everywhere an oink-oink;
With a moo-moo here and a moo-moo there,
Here a moo, there a moo,
Everywhere a moo-moo,
Old MacDonald had a farm, E-I-E-I-O.

Old MacDonald had a farm, E-I-E-I-O
And on his farm he had a horse, E-I-E-I-O
With a neigh, neigh here and a neigh, neigh there
Here a neigh, there a neigh,
Everywhere a neigh, neigh;
With an oink, oink here and an oink, oink there
Here an oink, there an oink,
Everywhere an oink-oink;
With a moo-moo here and a moo-moo there,
Here a moo, there a moo,
Everywhere a moo-moo,
Old MacDonald had a farm, E-I-E-I-O.

Old MacDonald had a farm, E-I-E-I-O
And on his farm he had some sheep, E-I-E-I-O
With a baa, baa here and a baa, baa there
Here a baa, there a baa,
Everywhere a baa, baa;
With a neigh, neigh here and a neigh, neigh there
Here a neigh, there a neigh,
Everywhere a neigh, neigh;
With an oink, oink here and an oink, oink there
Here an oink, there an oink,
Everywhere an oink-oink;
With a moo-moo here and a moo-moo there,
Here a moo, there a moo,
Everywhere a moo-moo,
Old MacDonald had a farm, E-I-E-I-O.

Old MacDonald had a farm, E-I-E-I-O
And on his farm he had a chicken, E-I-E-I-O
With a brawk, brawk here and a brawk, brawk there
Here a brawk, there a brawk,
Everywhere a brawk, brawk;
With a baa, baa here and a baa, baa there
Here a baa, there a baa,
Everywhere a baa, baa;
With a neigh, neigh here and a neigh, neigh there
Here a neigh, there a neigh,
Everywhere a neigh, neigh;
With an oink, oink here and an oink, oink there
Here an oink, there an oink,
Everywhere an oink-oink;
With a moo-moo here and a moo-moo there,
Here a moo, there a moo,
Everywhere a moo-moo,
Old MacDonald had a farm, E-I-E-I-O.

Old MacDonald had a farm, E-I-E-I-O
And on his farm he had a duck, E-I-E-I-O
With a quack, quack here and a quack, quack there
Here a quack, there a quack,
Everywhere a quack, quack;
With a brawk, brawk here and a brawk, brawk there
Here a brawk, there a brawk,
Everywhere a brawk, brawk;
With a baa, baa here and a baa, baa there
Here a baa, there a baa,
Everywhere a baa, baa;
With a neigh, neigh here and a neigh, neigh there
Here a neigh, there a neigh,
Everywhere a neigh, neigh;
With an oink, oink here and an oink, oink there
Here an oink, there an oink,
Everywhere an oink-oink;
With a moo-moo here and a moo-moo there,
Here a moo, there a moo,
Everywhere a moo-moo,
Old MacDonald had a farm, E-I-E-I-O.

Old MacDonald had a farm, E-I-E-I-O
And on his farm he had a goose, E-I-E-I-O
With a gabble, gabble here and a gabble, gabble there
Here a gabble, there a gabble,
Everywhere a gabble, gabble;
With a quack, quack here and a quack, quack there
Here a quack, there a quack,
Everywhere a quack, quack;
With a brawk, brawk here and a brawk, brawk there
Here a brawk, there a brawk,
Everywhere a brawk, brawk;
With a baa, baa here and a baa, baa there
Here a baa, there a baa,
Everywhere a baa, baa;
With a neigh, neigh here and a neigh, neigh there
Here a neigh, there a neigh,
Everywhere a neigh, neigh;
With an oink, oink here and an oink, oink there
Here an oink, there an oink,
Everywhere an oink-oink;
With a moo-moo here and a moo-moo there,
Here a moo, there a moo,
Everywhere a moo-moo,
Old MacDonald had a farm, E-I-E-I-O.

Old MacDonald had a farm, E-I-E-I-O
And on his farm he had a dog, E-I-E-I-O
With a bow wow here and a bow wow there
Here a bow, there a wow,
Everywhere a bow wow;
With a gabble, gabble here and a gabble, gabble there
Here a gabble, there a gabble,
Everywhere a gabble, gabble;
With a quack, quack here and a quack, quack there
Here a quack, there a quack,
Everywhere a quack, quack;
With a brawk, brawk here and a brawk, brawk there
Here a brawk, there a brawk,
Everywhere a brawk, brawk;
With a baa, baa here and a baa, baa there
Here a baa, there a baa,
Everywhere a baa, baa;
With a neigh, neigh here and a neigh, neigh there
Here a neigh, there a neigh,
Everywhere a neigh, neigh;
With an oink, oink here and an oink, oink there
Here an oink, there an oink,
Everywhere an oink-oink;
With a moo-moo here and a moo-moo there,
Here a moo, there a moo,
Everywhere a moo-moo,
Old MacDonald had a farm, E-I-E-I-O.

Old MacDonald had a farm, E-I-E-I-O
And on his farm he had a cat, E-I-E-I-O
With a meow, meow here and a meow, meow there
Here a meow, there a meow,
Everywhere a meow, meow;
With a bow wow here and a bow wow there
Here a bow, there a wow,
Everywhere a bow wow;
With a gabble, gabble here and a gabble, gabble there
Here a gabble, there a gabble,
Everywhere a gabble, gabble;
With a quack, quack here and a quack, quack there
Here a quack, there a quack,
Everywhere a quack, quack;
With a brawk, brawk here and a brawk, brawk there
Here a brawk, there a brawk,
Everywhere a brawk, brawk;
With a baa, baa here and a baa, baa there
Here a baa, there a baa,
Everywhere a baa, baa;
With a neigh, neigh here and a neigh, neigh there
Here a neigh, there a neigh,
Everywhere a neigh, neigh;
With an oink, oink here and an oink, oink there
Here an oink, there an oink,
Everywhere an oink-oink;
With a moo-moo here and a moo-moo there,
Here a moo, there a moo,
Everywhere a moo-moo,
Old MacDonald had a farm, E-I-E-I-O.

Old MacDonald had a farm, E-I-E-I-O
And on his farm he had a mouse, E-I-E-I-O
With an eek, eek here and an eek, eek there
Here an eek, there an eek,
Everywhere an eek, eek;
With a meow, meow here and a meow, meow there
Here a meow, there a meow,
Everywhere a meow, meow;
With a bow wow here and a bow wow there
Here a bow, there a wow,
Everywhere a bow wow;
With a gabble, gabble here and a gabble, gabble there
Here a gabble, there a gabble,
Everywhere a gabble, gabble;
With a quack, quack here and a quack, quack there
Here a quack, there a quack,
Everywhere a quack, quack;
With a brawk, brawk here and a brawk, brawk there
Here a brawk, there a brawk,
Everywhere a brawk, brawk;
With a baa, baa here and a baa, baa there
Here a baa, there a baa,
Everywhere a baa, baa;
With a neigh, neigh here and a neigh, neigh there
Here a neigh, there a neigh,
Everywhere a neigh, neigh;
With an oink, oink here and an oink, oink there
Here an oink, there an oink,
Everywhere an oink-oink;
With a moo-moo here and a moo-moo there,
Here a moo, there a moo,
Everywhere a moo-moo,
Old MacDonald had a farm, E-I-E-I-O.



Big Claus and Little Claus


Little Claus and Big Claus
by
Hans Christian Andersen
(1835)

IN a village there once lived two men who had the same name. They were both called Claus. One of them had four horses, but the other had only one; so to distinguish them, people called the owner of the four horses, “Great Claus,” and he who had only one, “Little Claus.” Now we shall hear what happened to them, for this is a true story.
Through the whole week, Little Claus was obliged to plough for Great Claus, and lend him his one horse; and once a week, on a Sunday, Great Claus lent him all his four horses. Then how Little Claus would smack his whip over all five horses, they were as good as his own on that one day. The sun shone brightly, and the church bells were ringing merrily as the people passed by, dressed in their best clothes, with their prayer-books under their arms. They were going to hear the clergyman preach. They looked at Little Claus ploughing with his five horses, and he was so proud that he smacked his whip, and said, “Gee-up, my five horses.”
“You must not say that,” said Big Claus; “for only one of them belongs to you.” But Little Claus soon forgot what he ought to say, and when any one passed he would call out, “Gee-up, my five horses!”
“Now I must beg you not to say that again,” said Big Claus; “for if you do, I shall hit your horse on the head, so that he will drop dead on the spot, and there will be an end of him.”
“I promise you I will not say it any more,” said the other; but as soon as people came by, nodding to him, and wishing him “Good day,” he became so pleased, and thought how grand it looked to have five horses ploughing in his field, that he cried out again, “Gee-up, all my horses!”

“I’ll gee-up your horses for you,” said Big Claus; and seizing a hammer, he struck the one horse of Little Claus on the head, and he fell dead instantly.
“Oh, now I have no horse at all,” said Little Claus, weeping. But after a while he took off the dead horse’s skin, and hung the hide to dry in the wind. Then he put the dry skin into a bag, and, placing it over his shoulder, went out into the next town to sell the horse’s skin. He had a very long way to go, and had to pass through a dark, gloomy forest. Presently a storm arose, and he lost his way, and before he discovered the right path, evening came on, and it was still a long way to the town, and too far to return home before night. Near the road stood a large farmhouse. The shutters outside the windows were closed, but lights shone through the crevices at the top. “I might get permission to stay here for the night,” thought Little Claus; so he went up to the door and knocked. The farmer’s wife opened the door; but when she heard what he wanted, she told him to go away, as her husband would not allow her to admit strangers. “Then I shall be obliged to lie out here,” said Little Claus to himself, as the farmer’s wife shut the door in his face. Near to the farmhouse stood a large haystack, and between it and the house was a small shed, with a thatched roof. “I can lie up there,” said Little Claus, as he saw the roof; “it will make a famous bed, but I hope the stork will not fly down and bite my legs;” for on it stood a living stork, whose nest was in the roof. So Little Claus climbed to the roof of the shed, and while he turned himself to get comfortable, he discovered that the wooden shutters, which were closed, did not reach to the tops of the windows of the farmhouse, so that he could see into a room, in which a large table was laid out with wine, roast meat, and a splendid fish. The farmer’s wife and the sexton were sitting at the table together; and she filled his glass, and helped him plenteously to fish, which appeared to be his favorite dish. “If I could only get some, too,” thought Little Claus; and then, as he stretched his neck towards the window he spied a large, beautiful pie,—indeed they had a glorious feast before them.
At this moment he heard some one riding down the road, towards the farmhouse. It was the farmer returning home. He was a good man, but still he had a very strange prejudice,—he could not bear the sight of a sexton. If one appeared before him, he would put himself in a terrible rage. In consequence of this dislike, the sexton had gone to visit the farmer’s wife during her husband’s absence from home, and the good woman had placed before him the best she had in the house to eat. When she heard the farmer coming she was frightened, and begged the sexton to hide himself in a large empty chest that stood in the room. He did so, for he knew her husband could not endure the sight of a sexton. The woman then quickly put away the wine, and hid all the rest of the nice things in the oven; for if her husband had seen them he would have asked what they were brought out for.
“Oh, dear,” sighed Little Claus from the top of the shed, as he saw all the good things disappear.
“Is any one up there?” asked the farmer, looking up and discovering Little Claus. “Why are you lying up there? Come down, and come into the house with me.” So Little Claus came down and told the farmer how he had lost his way and begged for a night’s lodging.
“All right,” said the farmer; “but we must have something to eat first.”
The woman received them both very kindly, laid the cloth on a large table, and placed before them a dish of porridge. The farmer was very hungry, and ate his porridge with a good appetite, but Little Claus could not help thinking of the nice roast meat, fish and pies, which he knew were in the oven. Under the table, at his feet, lay the sack containing the horse’s skin, which he intended to sell at the next town. Now Little Claus did not relish the porridge at all, so he trod with his foot on the sack under the table, and the dry skin squeaked quite loud. “Hush!” said Little Claus to his sack, at the same time treading upon it again, till it squeaked louder than before.
“Hallo! what have you got in your sack!” asked the farmer.
“Oh, it is a conjuror,” said Little Claus; “and he says we need not eat porridge, for he has conjured the oven full of roast meat, fish, and pie.”
“Wonderful!” cried the farmer, starting up and opening the oven door; and there lay all the nice things hidden by the farmer’s wife, but which he supposed had been conjured there by the wizard under the table. The woman dared not say anything; so she placed the things before them, and they both ate of the fish, the meat, and the pastry.
Then Little Claus trod again upon his sack, and it squeaked as before. “What does he say now?” asked the farmer.
“He says,” replied Little Claus, “that there are three bottles of wine for us, standing in the corner, by the oven.”
So the woman was obliged to bring out the wine also, which she had hidden, and the farmer drank it till he became quite merry. He would have liked such a conjuror as Little Claus carried in his sack. “Could he conjure up the evil one?” asked the farmer. “I should like to see him now, while I am so merry.”
“Oh, yes!” replied Little Claus, “my conjuror can do anything I ask him,—can you not?” he asked, treading at the same time on the sack till it squeaked. “Do you hear? he answers ’Yes,’ but he fears that we shall not like to look at him.”
“Oh, I am not afraid. What will he be like?”
“Well, he is very much like a sexton.”
“Ha!” said the farmer, “then he must be ugly. Do you know I cannot endure the sight of a sexton. However, that doesn’t matter, I shall know who it is; so I shall not mind. Now then, I have got up my courage, but don’t let him come too near me.”
“Stop, I must ask the conjuror,” said Little Claus; so he trod on the bag, and stooped his ear down to listen.
“What does he say?”

“He says that you must go and open that large chest which stands in the corner, and you will see the evil one crouching down inside; but you must hold the lid firmly, that he may not slip out.”
“Will you come and help me hold it?” said the farmer, going towards the chest in which his wife had hidden the sexton, who now lay inside, very much frightened. The farmer opened the lid a very little way, and peeped in.
“Oh,” cried he, springing backwards, “I saw him, and he is exactly like our sexton. How dreadful it is!” So after that he was obliged to drink again, and they sat and drank till far into the night.
“You must sell your conjuror to me,” said the farmer; “ask as much as you like, I will pay it; indeed I would give you directly a whole bushel of gold.”
“No, indeed, I cannot,” said Little Claus; “only think how much profit I could make out of this conjuror.”
“But I should like to have him,” said the fanner, still continuing his entreaties.
“Well,” said Little Claus at length, “you have been so good as to give me a night’s lodging, I will not refuse you; you shall have the conjuror for a bushel of money, but I will have quite full measure.”
“So you shall,” said the farmer; “but you must take away the chest as well. I would not have it in the house another hour; there is no knowing if he may not be still there.”
So Little Claus gave the farmer the sack containing the dried horse’s skin, and received in exchange a bushel of money—full measure. The farmer also gave him a wheelbarrow on which to carry away the chest and the gold.
“Farewell,” said Little Claus, as he went off with his money and the great chest, in which the sexton lay still concealed. On one side of the forest was a broad, deep river, the water flowed so rapidly that very few were able to swim against the stream. A new bridge had lately been built across it, and in the middle of this bridge Little Claus stopped, and said, loud enough to be heard by the sexton, “Now what shall I do with this stupid chest; it is as heavy as if it were full of stones: I shall be tired if I roll it any farther, so I may as well throw it in the river; if it swims after me to my house, well and good, and if not, it will not much matter.”
So he seized the chest in his hand and lifted it up a little, as if he were going to throw it into the water.
“No, leave it alone,” cried the sexton from within the chest; “let me out first.”
“Oh,” exclaimed Little Claus, pretending to be frightened, “he is in there still, is he? I must throw him into the river, that he may be drowned.”
“Oh, no; oh, no,” cried the sexton; “I will give you a whole bushel full of money if you will let me go.”
“Why, that is another matter,” said Little Claus, opening the chest. The sexton crept out, pushed the empty chest into the water, and went to his house, then he measured out a whole bushel full of gold for Little Claus, who had already received one from the farmer, so that now he had a barrow full.
“I have been well paid for my horse,” said he to himself when he reached home, entered his own room, and emptied all his money into a heap on the floor. “How vexed Great Claus will be when he finds out how rich I have become all through my one horse; but I shall not tell him exactly how it all happened.” Then he sent a boy to Great Claus to borrow a bushel measure.
“What can he want it for?” thought Great Claus; so he smeared the bottom of the measure with tar, that some of whatever was put into it might stick there and remain. And so it happened; for when the measure returned, three new silver florins were sticking to it.
“What does this mean?” said Great Claus; so he ran off directly to Little Claus, and asked, “Where did you get so much money?”
“Oh, for my horse’s skin, I sold it yesterday.”
“It was certainly well paid for then,” said Great Claus; and he ran home to his house, seized a hatchet, and knocked all his four horses on the head, flayed off their skins, and took them to the town to sell. “Skins, skins, who’ll buy skins?” he cried, as he went through the streets. All the shoemakers and tanners came running, and asked how much he wanted for them.
“A bushel of money, for each,” replied Great Claus.
“Are you mad?” they all cried; “do you think we have money to spend by the bushel?”
“Skins, skins,” he cried again, “who’ll buy skins?” but to all who inquired the price, his answer was, “a bushel of money.”
“He is making fools of us,” said they all; then the shoemakers took their straps, and the tanners their leather aprons, and began to beat Great Claus.
“Skins, skins!” they cried, mocking him; “yes, we’ll mark your skin for you, till it is black and blue.”
“Out of the town with him,” said they. And Great Claus was obliged to run as fast as he could, he had never before been so thoroughly beaten.
“Ah,” said he, as he came to his house; “Little Claus shall pay me for this; I will beat him to death.”
Meanwhile the old grandmother of Little Claus died. She had been cross, unkind, and really spiteful to him; but he was very sorry, and took the dead woman and laid her in his warm bed to see if he could bring her to life again. There he determined that she should lie the whole night, while he seated himself in a chair in a corner of the room as he had often done before. During the night, as he sat there, the door opened, and in came Great Claus with a hatchet. He knew well where Little Claus’s bed stood; so he went right up to it, and struck the old grandmother on the head. thinking it must be Little Claus.
“There,” cried he, “now you cannot make a fool of me again;” and then he went home.
“That is a very wicked man,” thought Little Claus; “he meant to kill me. It is a good thing for my old grandmother that she was already dead, or he would have taken her life.” Then he dressed his old grandmother in her best clothes, borrowed a horse of his neighbor, and harnessed it to a cart. Then he placed the old woman on the back seat, so that she might not fall out as he drove, and rode away through the wood. By sunrise they reached a large inn, where Little Claus stopped and went to get something to eat. The landlord was a rich man, and a good man too; but as passionate as if he had been made of pepper and snuff.
“Good morning,” said he to Little Claus; “you are come betimes to-day.”
“Yes,” said Little Claus; “I am going to the town with my old grandmother; she is sitting at the back of the wagon, but I cannot bring her into the room. Will you take her a glass of mead? but you must speak very loud, for she cannot hear well.”
“Yes, certainly I will,” replied the landlord; and, pouring out a glass of mead, he carried it out to the dead grandmother, who sat upright in the cart. “Here is a glass of mead from your grandson,” said the landlord. The dead woman did not answer a word, but sat quite still. “Do you not hear?” cried the landlord as loud as he could; “here is a glass of mead from your grandson.”
Again and again he bawled it out, but as she did not stir he flew into a passion, and threw the glass of mead in her face; it struck her on the nose, and she fell backwards out of the cart, for she was only seated there, not tied in.
“Hallo!” cried Little Claus, rushing out of the door, and seizing hold of the landlord by the throat; “you have killed my grandmother; see, here is a great hole in her forehead.”
“Oh, how unfortunate,” said the landlord, wringing his hands. “This all comes of my fiery temper. Dear Little Claus, I will give you a bushel of money; I will bury your grandmother as if she were my own; only keep silent, or else they will cut off my head, and that would be disagreeable.”
So it happened that Little Claus received another bushel of money, and the landlord buried his old grandmother as if she had been his own. When Little Claus reached home again, he immediately sent a boy to Great Claus, requesting him to lend him a bushel measure. “How is this?” thought Great Claus; “did I not kill him? I must go and see for myself.” So he went to Little Claus, and took the bushel measure with him. “How did you get all this money?” asked Great Claus, staring with wide open eyes at his neighbor’s treasures.
“You killed my grandmother instead of me,” said Little Claus; “so I have sold her for a bushel of money.”
“That is a good price at all events,” said Great Claus. So he went home, took a hatchet, and killed his old grandmother with one blow. Then he placed her on a cart, and drove into the town to the apothecary, and asked him if he would buy a dead body.
“Whose is it, and where did you get it?” asked the apothecary.
“It is my grandmother,” he replied; “I killed her with a blow, that I might get a bushel of money for her.”
“Heaven preserve us!” cried the apothecary, “you are out of your mind. Don’t say such things, or you will lose your head.” And then he talked to him seriously about the wicked deed he had done, and told him that such a wicked man would surely be punished. Great Claus got so frightened that he rushed out of the surgery, jumped into the cart, whipped up his horses, and drove home quickly. The apothecary and all the people thought him mad, and let him drive where he liked.
“You shall pay for this,” said Great Claus, as soon as he got into the highroad, “that you shall, Little Claus.” So as soon as he reached home he took the largest sack he could find and went over to Little Claus. “You have played me another trick,” said he. “First, I killed all my horses, and then my old grandmother, and it is all your fault; but you shall not make a fool of me any more.” So he laid hold of Little Claus round the body, and pushed him into the sack, which he took on his shoulders, saying, “Now I’m going to drown you in the river.
He had a long way to go before he reached the river, and Little Claus was not a very light weight to carry. The road led by the church, and as they passed he could hear the organ playing and the people singing beautifully. Great Claus put down the sack close to the church-door, and thought he might as well go in and hear a psalm before he went any farther. Little Claus could not possibly get out of the sack, and all the people were in church; so in he went.
“Oh dear, oh dear,” sighed Little Claus in the sack, as he turned and twisted about; but he found he could not loosen the string with which it was tied. Presently an old cattle driver, with snowy hair, passed by, carrying a large staff in his hand, with which he drove a large herd of cows and oxen before him. They stumbled against the sack in which lay Little Claus, and turned it over. “Oh dear,” sighed Little Claus, “I am very young, yet I am soon going to heaven.”
“And I, poor fellow,” said the drover, “I who am so old already, cannot get there.”
“Open the sack,” cried Little Claus; “creep into it instead of me, and you will soon be there.”
“With all my heart,” replied the drover, opening the sack, from which sprung Little Claus as quickly as possible. “Will you take care of my cattle?” said the old man, as he crept into the bag.
“Yes,” said Little Claus, and he tied up the sack, and then walked off with all the cows and oxen.
When Great Claus came out of church, he took up the sack, and placed it on his shoulders. It appeared to have become lighter, for the old drover was not half so heavy as Little Claus.
“How light he seems now,” said he. “Ah, it is because I have been to a church.” So he walked on to the river, which was deep and broad, and threw the sack containing the old drover into the water, believing it to be Little Claus. “There you may lie!” he exclaimed; “you will play me no more tricks now.” Then he turned to go home, but when he came to a place where two roads crossed, there was Little Claus driving the cattle. “How is this?” said Great Claus. “Did I not drown you just now?”
“Yes,” said Little Claus; “you threw me into the river about half an hour ago.”
“But wherever did you get all these fine beasts?” asked Great Claus.
“These beasts are sea-cattle,” replied Little Claus. “I’ll tell you the whole story, and thank you for drowning me; I am above you now, I am really very rich. I was frightened, to be sure, while I lay tied up in the sack, and the wind whistled in my ears when you threw me into the river from the bridge, and I sank to the bottom immediately; but I did not hurt myself, for I fell upon beautifully soft grass which grows down there; and in a moment, the sack opened, and the sweetest little maiden came towards me. She had snow-white robes, and a wreath of green leaves on her wet hair. She took me by the hand, and said, ’So you are come, Little Claus, and here are some cattle for you to begin with. About a mile farther on the road, there is another herd for you.’ Then I saw that the river formed a great highway for the people who live in the sea. They were walking and driving here and there from the sea to the land at the, spot where the river terminates. The bed of the river was covered with the loveliest flowers and sweet fresh grass. The fish swam past me as rapidly as the birds do here in the air. How handsome all the people were, and what fine cattle were grazing on the hills and in the valleys!”
“But why did you come up again,” said Great Claus, “if it was all so beautiful down there? I should not have done so?”
“Well,” said Little Claus, “it was good policy on my part; you heard me say just now that I was told by the sea-maiden to go a mile farther on the road, and I should find a whole herd of cattle. By the road she meant the river, for she could not travel any other way; but I knew the winding of the river, and how it bends, sometimes to the right and sometimes to the left, and it seemed a long way, so I chose a shorter one; and, by coming up to the land, and then driving across the fields back again to the river, I shall save half a mile, and get all my cattle more quickly.”

“What a lucky fellow you are!” exclaimed Great Claus. “Do you think I should get any sea-cattle if I went down to the bottom of the river?”
“Yes, I think so,” said Little Claus; “but I cannot carry you there in a sack, you are too heavy. However if you will go there first, and then creep into a sack, I will throw you in with the greatest pleasure.”
“Thank you,” said Great Claus; “but remember, if I do not get any sea-cattle down there I shall come up again and give you a good thrashing.”
“No, now, don’t be too fierce about it!” said Little Claus, as they walked on towards the river. When they approached it, the cattle, who were very thirsty, saw the stream, and ran down to drink.
“See what a hurry they are in,” said Little Claus, “they are longing to get down again,”
“Come, help me, make haste,” said Great Claus; “or you’ll get beaten.” So he crept into a large sack, which had been lying across the back of one of the oxen.
“Put in a stone,” said Great Claus, “or I may not sink.”
“Oh, there’s not much fear of that,” he replied; still he put a large stone into the bag, and then tied it tightly, and gave it a push.
“Plump!” In went Great Claus, and immediately sank to the bottom of the river.
“I’m afraid he will not find any cattle,” said Little Claus, and then he drove his own beasts homewards.






The Butterfly


The Butterfly
by
Hans Christian Andersen
(1861)


THERE was once a butterfly who wished for a bride, and, as may be supposed, he wanted to choose a very pretty one from among the flowers. He glanced, with a very critical eye, at all the flower-beds, and found that the flowers were seated quietly and demurely on their stalks, just as maidens should sit before they are engaged; but there was a great number of them, and it appeared as if his search would become very wearisome. The butterfly did not like to take too much trouble, so he flew off on a visit to the daisies. The French call this flower “Marguerite,” and they say that the little daisy can prophesy. Lovers pluck off the leaves, and as they pluck each leaf, they ask a question about their lovers; thus: “Does he or she love me?—Ardently? Distractedly? Very much? A little? Not at all?” and so on. Every one speaks these words in his own language. The butterfly came also to Marguerite to inquire, but he did not pluck off her leaves; he pressed a kiss on each of them, for he thought there was always more to be done by kindness.
“Darling Marguerite daisy,” he said to her, “you are the wisest woman of all the flowers. Pray tell me which of the flowers I shall choose for my wife. Which will be my bride? When I know, I will fly directly to her, and propose.”
But Marguerite did not answer him; she was offended that he should call her a woman when she was only a girl; and there is a great difference. He asked her a second time, and then a third; but she remained dumb, and answered not a word. Then he would wait no longer, but flew away, to commence his wooing at once. It was in the early spring, when the crocus and the snowdrop were in full bloom.
“They are very pretty,” thought the butterfly; “charming little lasses; but they are rather formal.”
Then, as the young lads often do, he looked out for the elder girls. He next flew to the anemones; these were rather sour to his taste. The violet, a little too sentimental. The lime-blossoms, too small, and besides, there was such a large family of them. The apple-blossoms, though they looked like roses, bloomed to-day, but might fall off to-morrow, with the first wind that blew; and he thought that a marriage with one of them might last too short a time. The pea-blossom pleased him most of all; she was white and red, graceful and slender, and belonged to those domestic maidens who have a pretty appearance, and can yet be useful in the kitchen. He was just about to make her an offer, when, close by the maiden, he saw a pod, with a withered flower hanging at the end.
“Who is that?” he asked.
“That is my sister,” replied the pea-blossom.
“Oh, indeed; and you will be like her some day,” said he; and he flew away directly, for he felt quite shocked.
A honeysuckle hung forth from the hedge, in full bloom; but there were so many girls like her, with long faces and sallow complexions. No; he did not like her. But which one did he like?
Spring went by, and summer drew towards its close; autumn came; but he had not decided. The flowers now appeared in their most gorgeous robes, but all in vain; they had not the fresh, fragrant air of youth. For the heart asks for fragrance, even when it is no longer young; and there is very little of that to be found in the dahlias or the dry chrysanthemums; therefore the butterfly turned to the mint on the ground. You know, this plant has no blossom; but it is sweetness all over,—full of fragrance from head to foot, with the scent of a flower in every leaf.
“I will take her,” said the butterfly; and he made her an offer. But the mint stood silent and stiff, as she listened to him. At last she said,—
“Friendship, if you please; nothing more. I am old, and you are old, but we may live for each other just the same; as to marrying—no; don’t let us appear ridiculous at our age.”
And so it happened that the butterfly got no wife at all. He had been too long choosing, which is always a bad plan. And the butterfly became what is called an old bachelor.
It was late in the autumn, with rainy and cloudy weather. The cold wind blew over the bowed backs of the willows, so that they creaked again. It was not the weather for flying about in summer clothes; but fortunately the butterfly was not out in it. He had got a shelter by chance. It was in a room heated by a stove, and as warm as summer. He could exist here, he said, well enough.
“But it is not enough merely to exist,” said he, “I need freedom, sunshine, and a little flower for a companion.”
Then he flew against the window-pane, and was seen and admired by those in the room, who caught him, and stuck him on a pin, in a box of curiosities. They could not do more for him.
“Now I am perched on a stalk, like the flowers,” said the butterfly. “It is not very pleasant, certainly; I should imagine it is something like being married; for here I am stuck fast.” And with this thought he consoled himself a little.
“That seems very poor consolation,” said one of the plants in the room, that grew in a pot.
“Ah,” thought the butterfly, “one can’t very well trust these plants in pots; they have too much to do with mankind.”


Apologies from me!

I'm sorry, I overlooked yesterday's tale...after having prompted you to return for it! I received news which put me in a tizz, so to speak, and posting entirely slipped my mind. Good news, by the way! We'll make up for the oversight today, shall we? Expect two tales later!




Wednesday 28 November 2012

The Last Pearl


The Last Pearl
by
Hans Christian Andersen
(1854)


WE are in a rich, happy house, where the master, the servants, the friends of the family are full of joy and felicity. For on this day a son and heir has been born, and mother and child are doing well. The lamp in the bed-chamber had been partly shaded, and the windows were covered with heavy curtains of some costly silken material. The carpet was thick and soft, like a covering of moss. Everything invited to slumber, everything had a charming look of repose; and so the nurse had discovered, for she slept; and well she might sleep, while everything around her told of happiness and blessing. The guardian angel of the house leaned against the head of the bed; while over the child was spread, as it were, a net of shining stars, and each star was a pearl of happiness. All the good stars of life had brought their gifts to the newly born; here sparkled health, wealth, fortune, and love; in short, there seemed to be everything for which man could wish on earth.
“Everything has been bestowed here,” said the guardian angel.
“No, not everything,” said a voice near him—the voice of the good angel of the child; “one fairy has not yet brought her gift, but she will, even if years should elapse, she will bring her gift; it is the last pearl that is wanting.”
“Wanting!” cried the guardian angel; “nothing must be wanting here; and if it is so, let us fetch it; let us seek the powerful fairy; let us go to her.”
“She will come, she will come some day unsought!”
“Her pearl must not be missing; it must be there, that the crown, when worn, may be complete. Where is she to be found? Where does she dwell?” said the guardian angel. “Tell me, and I will procure the pearl.”
“Will you do that?” replied the good angel of the child. “Then I will lead you to her directly, wherever she may be. She has no abiding place; she rules in the palace of the emperor, sometimes she enters the peasant’s humble cot; she passes no one without leaving a trace of her presence. She brings her gift with her, whether it is a world or a bauble. To this child she must come. You think that to wait for this time would be long and useless. Well, then, let us go for this pearl—the only one lacking amidst all this wealth.”
Then hand-in-hand they floated away to the spot where the fairy was now lingering. It was in a large house with dark windows and empty rooms, in which a peculiar stillness reigned. A whole row of windows stood open, so that the rude wind could enter at its pleasure, and the long white curtains waved to and fro in the current of air. In the centre of one of the rooms stood an open coffin, in which lay the body of a woman, still in the bloom of youth and very beautiful. Fresh roses were scattered over her. The delicate folded hands and the noble face glorified in death by the solemn, earnest look, which spoke of an entrance into a better world, were alone visible. Around the coffin stood the husband and children, a whole troop, the youngest in the father’s arms. They were come to take a last farewell look of their mother. The husband kissed her hand, which now lay like a withered leaf, but which a short time before had been diligently employed in deeds of love for them all. Tears of sorrow rolled down their cheeks, and fell in heavy drops on the floor, but not a word was spoken. The silence which reigned here expressed a world of grief. With silent steps, still sobbing, they left the room. A burning light remained in the room, and a long, red wick rose far above the flame, which fluttered in the draught of air. Strange men came in and placed the lid of the coffin over the dead, and drove the nails firmly in; while the blows of the hammer resounded through the house, and echoed in the hearts that were bleeding.
“Whither art thou leading me?” asked the guardian angel. “Here dwells no fairy whose pearl could be counted amongst the best gifts of life.”
“Yes, she is here; here in this sacred hour,” replied the angel, pointing to a corner of the room; and there,—where in her life-time, the mother had taken her seat amidst flowers and pictures: in that spot, where she, like the blessed fairy of the house, had welcomed husband, children, and friends, and, like a sunbeam, had spread joy and cheerfulness around her, the centre and heart of them all,—there, in that very spot, sat a strange woman, clothed in long, flowing garments, and occupying the place of the dead wife and mother. It was the fairy, and her name was “Sorrow.” A hot tear rolled into her lap, and formed itself into a pearl, glowing with all the colors of the rainbow. The angel seized it: the, pearl glittered like a star with seven-fold radiance. The pearl of Sorrow, the last, which must not be wanting, increases the lustre, and explains the meaning of all the other pearls.
“Do you see the shimmer of the rainbow, which unites earth to heaven?” So has there been a bridge built between this world and the next. Through the night of the grave we gaze upwards beyond the stars to the end of all things. Then we glance at the pearl of Sorrow, in which are concealed the wings which shall carry us away to eternal happiness.



Longer tale today!

Yep. Longer.


Up later!

See no evil...



Bravery



Stones equals wall


Tuesday 27 November 2012

The Goose with the Golden Eggs


The Goose With the Golden Eggs

  One day a countryman going to the nest of his Goose found
there an egg all yellow and glittering.  When he took it up it was
as heavy as lead and he was going to throw it away, because he
thought a trick had been played upon him.  But he took it home on
second thoughts, and soon found to his delight that it was an egg
of pure gold.  Every morning the same thing occurred, and he soon
became rich by selling his eggs.  As he grew rich he grew greedy;
and thinking to get at once all the gold the Goose could give, he
killed it and opened it only to find nothing.


                Greed oft o'er reaches itself.


The Fox and the Hedgehog


The Fox and the Hedgehog

   A FOX swimming across a rapid river was carried by the force of
the current into a very deep ravine, where he lay for a long time
very much bruised, sick, and unable to move.  A swarm of hungry
blood-sucking flies settled upon him.  A Hedgehog, passing by,
saw his anguish and inquired if he should drive away the flies
that were tormenting him.  "By no means," replied the Fox; "pray
do not molest them."  "How is this?'  said the Hedgehog; "do you
not want to be rid of them?'  "No," returned the Fox, "for these
flies which you see are full of blood, and sting me but little,
and if you rid me of these which are already satiated, others
more hungry will come in their place, and will drink up all the
blood I have left." 

Tales for Tuesday

Up later, two short tales!




Looking


This one is bit like ol' Murphy!

Half truth



Monday 26 November 2012

The Bee and Jupiter


The Bee and Jupiter


A BEE from Mount Hymettus, the queen of the hive, ascended to Olympus to present Jupiter some honey fresh from her combs.
Jupiter, delighted with the offering of honey, promised to give whatever she should ask.  She therefore besought him, saying, "Give me, I pray thee, a sting, that if any mortal shall approach
to take my honey, I may kill him."
Jupiter was much displeased, for he loved the race of man, but could not refuse the request because of his promise.  He thus answered the Bee:  "You shall have your request, but it will be at the peril of your own life. For if you use your sting, it shall remain in the wound you make, and then you will die from the loss of it." 


             Evil wishes, like chickens, come home to roost. 



What will it be?

Tale time!


Up next!

Virgil: They can



Courage to claim yourself



Saturday 24 November 2012

What the Moon Saw


What the Moon Saw
by
Hans Christian Andersen
(1840)


Introduction
IT is a strange thing, when I feel most fervently and most deeply, my hands and my tongue seem alike tied, so that I cannot rightly describe or accurately portray the thoughts that are rising within me; and yet I am a painter; my eye tells me as much as that, and all my friends who have seen my sketches and fancies say the same.
I am a poor lad, and live in one of the narrowest of lanes; but I do not want for light, as my room is high up in the house, with an extensive prospect over the neighbouring roofs. During the first few days I went to live in the town, I felt low-spirited and solitary enough. Instead of the forest and the green hills of former days, I had here only a forest of chimney-pots to look out upon. And then I had not a single friend; not one familiar face greeted me.
So one evening I sat at the window, in a desponding mood; and presently I opened the casement and looked out. Oh, how my heart leaped up with joy! Here was a well-known face at last—a round, friendly countenance, the face of a good friend I had known at home. In, fact, it was the MOON that looked in upon me. He was quite unchanged, the dear old Moon, and had the same face exactly that he used to show when he peered down upon me through the willow trees on the moor. I kissed my hand to him over and over again, as he shone far into my little room; and he, for his part, promised me that every evening, when he came abroad, he would look in upon me for a few moments. This promise he has faithfully kept. It is a pity that he can only stay such a short time when he comes. Whenever he appears, he tells me of one thing or another that he has seen on the previous night, or on that same evening. “Just paint the scenes I describe to you”—this is what he said to me—“and you will have a very pretty picture-book.” I have followed his injunction for many evenings. I could make up a new “Thousand and One Nights,” in my own way, out of these pictures, but the number might be too great, after all. The pictures I have here given have not been chosen at random, but follow in their proper order, just as they were described to me. Some great gifted painter, or some poet or musician, may make something more of them if he likes; what I have given here are only hasty sketches, hurriedly put upon the paper, with some of my own thoughts, interspersed; for the Moon did not come to me every evening— a cloud sometimes hid his face from me.
First Evening
LAST night”—I am quoting the Moon’s own words—“last night I was gliding through the cloudless Indian sky. My face was mirrored in the waters of the Ganges, and my beams strove to pierce through the thick intertwining boughs of the bananas, arching beneath me like the tortoise’s shell. Forth from the thicket tripped a Hindoo maid, light as a gazelle, beautiful as Eve. Airy and etherial as a vision, and yet sharply defined amid the surrounding shadows, stood this daughter of Hindostan: I could read on her delicate brow the thought that had brought her hither. The thorny creeping plants tore her sandals, but for all that she came rapidly forward. The deer that had come down to the river to quench her thirst, sprang by with a startled bound, for in her hand the maiden bore a lighted lamp. I could see the blood in her delicate finger tips, as she spread them for a screen before the dancing flame. She came down to the stream, and set the lamp upon the water, and let it float away. The flame flickered to and fro, and seemed ready to expire; but still the lamp burned on, and the girl’s black sparkling eyes, half veiled behind their long silken lashes, followed it with a gaze of earnest intensity. She knew that if the lamp continued to burn so long as she could keep it in sight, her betrothed was still alive; but if the lamp was suddenly extinguished, he was dead. And the lamp burned bravely on, and she fell on her knees, and prayed. Near her in the grass lay a speckled snake, but she heeded it not—she thought only of Bramah and of her betrothed. ‘He lives!’ she shouted joyfully, ‘he lives!’ And from the mountains the echo came back upon her, ‘he lives!’”
Second Evening
YESTERDAY,” said the Moon to me, “I looked down upon a small courtyard surrounded on all sides by houses. In the courtyard sat a clucking hen with eleven chickens; and a pretty little girl was running and jumping around them. The hen was frightened, and screamed, and spread out her wings over the little brood. Then the girl’s father came out and scolded her; and I glided away and thought no more of the matter.
“But this evening, only a few minutes ago, I looked down into the same courtyard. Everything was quiet. But presently the little girl came forth again, crept quietly to the hen-house, pushed back the bolt, and slipped into the apartment of the hen and chickens. They cried out loudly, and came fluttering down from their perches, and ran about in dismay, and the little girl ran after them. I saw it quite plainly, for I looked through a hole in the hen-house wall. I was angry with the willful child, and felt glad when her father came out and scolded her more violently than yesterday, holding her roughly by the arm; she held down her head, and her blue eyes were full of large tears. ‘What are you about here?’ he asked. She wept and said, ‘I wanted to kiss the hen and beg her pardon for frightening her yesterday; but I was afraid to tell you.’
“And the father kissed the innocent child’s forehead, and I kissed her on the mouth and eyes.”
Third Evening
IN the narrow street round the corner yonder—it is so narrow that my beams can only glide for a minute along the walls of the house, but in that minute I see enough to learn what the world is made of—in that narrow street I saw a woman. Sixteen years ago that woman was a child, playing in the garden of the old parsonage, in the country. The hedges of rose-bush were old, and the flowers were faded. They straggled wild over the paths, and the ragged branches grew up among the boughs of the apple trees; here and there were a few roses still in bloom—not so fair as the queen of flowers generally appears, but still they had colour and scent too. The clergyman’s little daughter appeared to me a far lovelier rose, as she sat on her stool under the straggling hedge, hugging and caressing her doll with the battered pasteboard cheeks.
“Ten years afterwards I saw her again. I beheld her in a splendid ballroom: she was the beautiful bride of a rich merchant. I rejoiced at her happiness, and sought her on calm quiet evenings— ah, nobody thinks of my clear eye and my silent glance! Alas! my rose ran wild, like the rose bushes in the garden of the parsonage. There are tragedies in every-day life, and tonight I saw the last act of one.
“She was lying in bed in a house in that narrow street: she was sick unto death, and the cruel landlord came up, and tore away the thin coverlet, her only protection against the cold. ‘Get up!’ said he; ‘your face is enough to frighten one. Get up and dress yourself, give me money, or I’ll turn you out into the street! Quick—get up!’ She answered, ‘Alas! death is gnawing at my heart. Let me rest.’ But he forced her to get up and bathe her face, and put a wreath of roses in her hair; and he placed her in a chair at the window, with a candle burning beside her, and went away.
“I looked at her, and she was sitting motionless, with her hands in her lap. The wind caught the open window and shut it with a crash, so that a pane came clattering down in fragments; but still she never moved. The curtain caught fire, and the flames played about her face; and I saw that she was dead. There at the open window sat the dead woman, preaching a sermon against sin—my poor faded rose out of the parsonage garden!”
Fourth Evening
THIS evening I saw a German play acted,” said the Moon. “It was in a little town. A stable had been turned into a theatre; that is to say, the stable had been left standing, and had been turned into private boxes, and all the timber work had been covered with coloured paper. A little iron chandelier hung beneath the ceiling, and that it might be made to disappear into the ceiling, as it does in great theatres, when the ting-ting of the prompter’s bell is heard, a great inverted tub has been placed just above it.
“ ‘Ting-ting!’ and the little iron chandelier suddenly rose at least half a yard and disappeared in the tub; and that was the sign that the play was going to begin. A young nobleman and his lady, who happened to be passing through the little town, were present at the performance, and consequently the house was crowded. But under the chandelier was a vacant space like a little crater: not a single soul sat there, for the tallow was dropping, drip, drip! I saw everything, for it was so warm in there that every loophole had been opened. The male and female servants stood outside, peeping through the chinks, although a real policeman was inside, threatening them with a stick. Close by the orchestra could be seen the noble young couple in two old arm-chairs, which were usually occupied by his worship the mayor and his lady; but these latter were to-day obliged to content themselves with wooden forms, just as if they had been ordinary citizens; and the lady observed quietly to herself, ‘One sees, now, that there is rank above rank;’ and this incident gave an air of extra festivity to the whole proceedings. The chandelier gave little leaps, the crowd got their knuckles rapped, and I, the Moon, was present at the performance from beginning to end.”
Fifth Evening
YESTERDAY,” began the Moon, “I looked down upon the turmoil of Paris. My eye penetrated into an apartment of the Louvre. An old grandmother, poorly clad—she belonged to the working class—was following one of the under-servants into the great empty throne-room, for this was the apartment she wanted to see—that she was resolved to see; it had cost her many a little sacrifice, and many a coaxing word, to penetrate thus far. She folded her thin hands, and looked round with an air of reverence, as if she had been in a church.
“‘Here it was!’ she said, ‘here!’ and she approached the throne, from which hung the rich velvet fringed with gold lace. ‘There,’ she exclaimed, ‘there!’ and she knelt and kissed the purple carpet. I think she was actually weeping.
“‘But it was not this very velvet!’ observed the footman, and a smile played about his mouth. ‘True, but it was this very place,’ replied the woman, ‘and it must have looked just like this’. ‘It looked so, and yet it did not,’ observed the man: ‘the windows were beaten in, and the doors were off their hinges, and there was blood upon the floor.’ ‘But for all that you can say, my grandson died upon the throne of France. Died!’ mournfully repeated the old woman. I do not think another word was spoken, and they soon quitted the hall. The evening twilight faded and my light shone doubly vivid upon the rich velvet that covered the throne of France.
“Now who do you think this poor woman was? Listen, I will tell you a story.
“It happened, in the Revolution of July, on the evening of the most brilliantly victorious day, when every house was a fortress, every window a breastwork. The people stormed the Tuileries. Even women and children were to be found among the combatants. They penetrated into the apartments and halls of the palace. A poor half-grown boy in a ragged blouse fought among the older insurgents. Mortally wounded with several bayonet thrusts, he sank down. This happened in the throne-room. They laid the bleeding youth upon the throne of France, wrapped the velvet around his wounds, and his blood streamed forth upon the imperial purple. There was a picture! The splendid hall, the fighting groups! A torn flag upon the ground, the tricolor was waving above the bayonets, and on the throne lay the poor lad with the pale glorified countenance, his eyes turned towards the sky, his limbs writhing in the death agony, his breast bare, and his poor tattered clothing half hidden by the rich velvet embroidered with silver lilies. At the boy’s cradle a prophecy had been spoken: ‘He will die on the throne of France!’ The mother’s heart dreamt of a second Napoleon.
“My beams have kissed the wreath of immortelles on his grave, and this night they kissed the forehead of the old grandame, while in a dream the picture floated before her which thou mayest draw— the poor boy on the throne of France.”
Sixth Evening
I’VE been in Upsala,” said the Moon: “I looked down upon the great plain covered with coarse grass, and upon the barren fields. I mirrored my face in the Tyris river, while the steamboat drove the fish into the rushes. Beneath me floated the waves, throwing long shadows on the so-called graves of Odin, Thor, and Friga. In the scanty turf that covers the hill-side names have been cut. There is no monument here, no memorial on which the traveller can have his name carved, no rocky wall on whose surface he can get it painted; so visitors have the turf cut away for that purpose. The naked earth peers through in the form of great letters and names; these form a network over the whole hill. Here is an immortality, which lasts till the fresh turf grows!
“Up on the hill stood a man, a poet. He emptied the mead horn with the broad silver rim, and murmured a name. He begged the winds not to betray him, but I heard the name. I knew it. A count’s coronet sparkles above it, and therefore he did not speak it out. I smiled, for I knew that a poet’s crown adorns his own name. The nobility of Eleanora d’Este is attached to the name of Tasso. And I also know where the Rose of Beauty blooms!”
Thus spake the Moon, and a cloud came between us. May no cloud separate the poet from the rose!
Seventh Evening
ALONG the margin of the shore stretches a forest of firs and beeches, and fresh and fragrant is this wood; hundreds of nightingales visit it every spring. Close beside it is the sea, the ever-changing sea, and between the two is placed the broad high-road. One carriage after another rolls over it; but I did not follow them, for my eye loves best to rest upon one point. A Hun’s Grave lies there, and the sloe and blackthorn grow luxuriantly among the stones. Here is true poetry in nature.
“And how do you think men appreciate this poetry? I will tell you what I heard there last evening and during the night.
“First, two rich landed proprietors came driving by. ‘Those are glorious trees!’ said the first. ‘Certainly; there are ten loads of firewood in each,’ observed the other: ‘it will be a hard winter, and last year we got fourteen dollars a load’—and they were gone. ‘The road here is wretched,’ observed another man who drove past. ‘That’s the fault of those horrible trees,’ replied his neighbour; ‘there is no free current of air; the wind can only come from the sea’—and they were gone. The stage coach went rattling past. All the passengers were asleep at this beautiful spot. The postillion blew his horn, but he only thought, ‘I can play capitally. It sounds well here. I wonder if those in there like it?’—and the stage coach vanished. Then two young fellows came gallopping up on horseback. There’s youth and spirit in the blood here! thought I; and, indeed, they looked with a smile at the moss-grown hill and thick forest. ‘I should not dislike a walk here with the miller’s Christine,’ said one— and they flew past.
“The flowers scented the air; every breath of air was hushed; it seemed as if the sea were a part of the sky that stretched above the deep valley. A carriage rolled by. Six people were sitting in it. Four of them were asleep; the fifth was thinking of his new summer coat, which would suit him admirably; the sixth turned to the coachman and asked him if there were anything remarkable connected with yonder heap of stones. ‘No,’ replied the coachman, ‘it’s only a heap of stones; but the trees are remarkable.’ ‘How so?’ ‘Why I’ll tell you how they are very remarkable. You see, in winter, when the snow lies very deep, and has hidden the whole road so that nothing is to be seen, those trees serve me for a landmark. I steer by them, so as not to drive into the sea; and you see that is why the trees are remarkable.’
“Now came a painter. He spoke not a word, but his eyes sparkled. He began to whistle. At this the nightingales sang louder than ever. ‘Hold your tongues!’ he cried testily; and he made accurate notes of all the colours and transitions—blue, and lilac, and dark brown. ‘That will make a beautiful picture,’ he said. He took it in just as a mirror takes in a view; and as he worked he whistled a march of Rossini. And last of all came a poor girl. She laid aside the burden she carried, and sat down to rest upon the Hun’s Grave. Her pale handsome face was bent in a listening attitude towards the forest. Her eyes brightened, she gazed earnestly at the sea and the sky, her hands were folded, and I think she prayed, ‘Our Father.’ She herself could not understand the feeling that swept through her, but I know that this minute, and the beautiful natural scene, will live within her memory for years, far more vividly and more truly than the painter could portray it with his colours on paper. My rays followed her till the morning dawn kissed her brow.”
Eighth Evening
HEAVY clouds obscured the sky, and the Moon did not make his appearance at all. I stood in my little room, more lonely than ever, and looked up at the sky where he ought to have shown himself. My thoughts flew far away, up to my great friend, who every evening told me such pretty tales, and showed me pictures. Yes, he has had an experience indeed. He glided over the waters of the Deluge, and smiled on Noah’s ark just as he lately glanced down upon me, and brought comfort and promise of a new world that was to spring forth from the old. When the Children of Israel sat weeping by the waters of Babylon, he glanced mournfully upon the willows where hung the silent harps. When Romeo climbed the balcony, and the promise of true love fluttered like a cherub toward heaven, the round Moon hung, half hidden among the dark cypresses, in the lucid air. He saw the captive giant at St. Helena, looking from the lonely rock across the wide ocean, while great thoughts swept through his soul. Ah! what tales the Moon can tell. Human life is like a story to him. To-night I shall not see thee again, old friend. Tonight I can draw no picture of the memories of thy visit. And, as I looked dreamily towards the clouds, the sky became bright. There was a glancing light, and a beam from the Moon fell upon me. It vanished again, and dark clouds flew past: but still it was a greeting, a friendly good-night offered to me by the Moon.
Ninth Evening
THE air was clear again. Several evenings had passed, and the Moon was in the first quarter. Again he gave me an outline for a sketch. Listen to what he told me.
“I have followed the polar bird and the swimming whale to the eastern coast of Greenland. Gaunt ice-covered rocks and dark clouds hung over a valley, where dwarf willows and barberry bushes stood clothed in green. The blooming lychnis exhaled sweet odours. My light was faint, my face pale as the water lily that, torn from its stem, has been drifting for weeks with the tide. The crown-shaped Northern Light burned fiercely in the sky. Its ring was broad, and from its circumference the rays shot like whirling shafts of fire across the whole sky, flashing in changing radiance from green to red. The inhabitants of that icy region were assembling for dance and festivity; but, accustomed to this glorious spectacle, they scarcely deigned to glance at it. ‘Let us leave the soul of the dead to their ball-play with the heads of the walruses,’ they thought in their superstition, and they turned their whole attention to the song and dance. In the midst of the circle, and divested of his furry cloak, stood a Greenlander, with a small pipe, and he played and sang a song about catching the seal, and the chorus around chimed in with, ‘Eia, Eia, Ah.’ And in their white furs they danced about in the circle, till you might fancy it was a polar bear’s ball.
“And now a Court of Judgment was opened. Those Greenlanders who had quarrelled stepped forward, and the offended person chanted forth the faults of his adversary in an extempore song, turning them sharply into ridicule, to the sound of the pipe and the measure of the dance. The defendant replied with satire as keen, while the audience laughed, and gave their verdict. The rocks heaved, the glaciers melted, and great masses of ice and snow came crashing down, shivering to fragments as they fall; it was a glorious Greenland summer night. A hundred paces away, under the open tent of hides, lay a sick man. Life still flowed through his warm blood, but still he was to die—he himself felt it, and all who stood round him knew it also; therefore his wife was already sewing round him the shroud of furs, that she might not afterwards be obliged to touch the dead body. And she asked, ‘Wilt thou be buried on the rock, in the firm snow? I will deck the spot with thy kayak, and thy arrows, and the angekokk shall dance over it. Or wouldst thou rather be buried in the sea?’ ‘In the sea,’ he whispered, and nodded with a mournful smile. ‘Yes, it is a pleasant summer tent, the sea,’ observed the wife. ‘Thousands of seals sport there, the walrus shall lie at thy feet, and the hunt will be safe and merry!’ And the yelling children tore the outspread hide from the window-hole, that the dead man might be carried to the ocean, the billowy ocean, that had given him food in life, and that now, in death, was to afford him a place of rest. For his monument, he had the floating, ever-changing icebergs, whereon the seal sleeps, while the storm bird flies round their gleaming summits!”
Tenth Evening
I KNEW an old maid,” said the Moon. “Every winter she wore a wrapper of yellow satin, and it always remained new, and was the only fashion she followed. In summer she always wore the same straw hat, and I verily believe the very same gray-blue dress.
“She never went out, except across the street to an old female friend; and in later years she did not even take this walk, for the old friend was dead. In her solitude my old maid was always busy at the window, which was adorned in summer with pretty flowers, and in winter with cress, grown upon felt. During the last months I saw her no more at the window, but she was still alive. I knew that, for I had not yet seen her begin the ‘long journey,’ of which she often spoke with her friend. ‘Yes, yes,’ she was in the habit of saying, ‘when I come to die I shall take a longer journey than I have made my whole life long. Our family vault is six miles from here. I shall be carried there, and shall sleep there among my family and relatives.’ Last night a van stopped at the house. A coffin was carried out, and then I knew that she was dead. They placed straw round the coffin, and the van drove away. There slept the quiet old lady, who had not gone out of her house once for the last year. The van rolled out through the town-gate as briskly as if it were going for a pleasant excursion. On the high-road the pace was quicker yet. The coachman looked nervously round every now and then—I fancy he half expected to see her sitting on the coffin, in her yellow satin wrapper. And because he was startled, he foolishly lashed his horses, while he held the reins so tightly that the poor beasts were in a foam: they were young and fiery. A hare jumped across the road and startled them, and they fairly ran away. The old sober maiden, who had for years and years moved quietly round and round in a dull circle, was now, in death, rattled over stock and stone on the public highway. The coffin in its covering of straw tumbled out of the van, and was left on the high-road, while horses, coachman, and carriage flew past in wild career. The lark rose up carolling from the field, twittering her morning lay over the coffin, and presently perched upon it, picking with her beak at the straw covering, as though she would tear it up. The lark rose up again, singing gaily, and I withdrew behind the red morning clouds.”
Eleventh Evening
I WILL give you a picture of Pompeii,” said the Moon. “I was in the suburb in the Street of Tombs, as they call it, where the fair monuments stand, in the spot where, ages ago, the merry youths, their temples bound with rosy wreaths, danced with the fair sisters of Lais. Now, the stillness of death reigned around. German mercenaries, in the Neapolitan service, kept guard, played cards, and diced; and a troop of strangers from beyond the mountains came into the town, accompanied by a sentry. They wanted to see the city that had risen from the grave illumined by my beams; and I showed them the wheel-ruts in the streets paved with broad lava slabs; I showed them the names on the doors, and the signs that hung there yet: they saw in the little courtyard the basins of the fountains, ornamented with shells; but no jet of water gushed upwards, no songs sounded forth from the richly-painted chambers, where the bronze dog kept the door.
“It was the City of the Dead; only Vesuvius thundered forth his everlasting hymn, each separate verse of which is called by men an eruption. We went to the temple of Venus, built of snow-white marble, with its high altar in front of the broad steps, and the weeping willows sprouting freshly forth among the pillars. The air was transparent and blue, and black Vesuvius formed the background, with fire ever shooting forth from it, like the stem of the pine tree. Above it stretched the smoky cloud in the silence of the night, like the crown of the pine, but in a blood-red illumination. Among the company was a lady singer, a real and great singer. I have witnessed the homage paid to her in the greatest cities of Europe. When they came to the tragic theatre, they all sat down on the amphitheatre steps, and thus a small part of the house was occupied by an audience, as it had been many centuries ago. The stage still stood unchanged, with its walled side-scenes, and the two arches in the background, through which the beholders saw the same scene that had been exhibited in the old times—a scene painted by nature herself, namely, the mountains between Sorento and Amalfi. The singer gaily mounted the ancient stage, and sang. The place inspired her, and she reminded me of a wild Arab horse, that rushes headlong on with snorting nostrils and flying mane—her song was so light and yet so firm. Anon I thought of the mourning mother beneath the cross at Golgotha, so deep was the expression of pain. And, just as it had done thousands of years ago, the sound of applause and delight now filled the theatre. ‘Happy, gifted creature!’ all the hearers exclaimed. Five minutes more, and the stage was empty, the company had vanished, and not a sound more was heard—all were gone. But the ruins stood unchanged, as they will stand when centuries shall have gone by, and when none shall know of the momentary applause and of the triumph of the fair songstress; when all will be forgotten and gone, and even for me this hour will be but a dream of the past.”
Twelfth Evening
I LOOKED through the windows of an editor’s house,” said the Moon. “It was somewhere in Germany. I saw handsome furniture, many books, and a chaos of newspapers. Several young men were present: the editor himself stood at his desk, and two little books, both by young authors, were to be noticed. ‘This one has been sent to me,’ said he. ‘I have not read it yet; what think you of the contents?’ ‘Oh,’ said the person addressed—he was a poet himself—‘it is good enough; a little broad, certainly; but, you see, the author is still young. The verses might be better, to be sure; the thoughts are sound, though there is certainly a good deal of common-place among them. But what will you have? You can’t be always getting something new. That he’ll turn out anything great I don’t believe, but you may safely praise him. He is well read, a remarkable Oriental scholar, and has a good judgment. It was he who wrote that nice review of my ‘Reflections on Domestic Life.’ We must be lenient towards the young man.’
“‘But he is a complete hack!’ objected another of the gentlemen. ‘Nothing worse in poetry than mediocrity, and he certainly does not go beyond this.’
“‘Poor fellow,’ observed a third, ‘and his aunt is so happy about him. It was she, Mr. Editor, who got together so many subscribers for your last translation.’
“‘Ah, the good woman! Well, I have noticed the book briefly. Undoubted talent—a welcome offering—a flower in the garden of poetry—prettily brought out—and so on. But this other book—I suppose the author expects me to purchase it? I hear it is praised. He has genius, certainly: don’t you think so?’
“‘Yes, all the world declares as much,’ replied the poet, ‘but it has turned out rather wildly. The punctuation of the book, in particular, is very eccentric.’
“‘It will be good for him if we pull him to pieces, and anger him a little, otherwise he will get too good an opinion of himself.’
“‘But that would be unfair,’ objected the fourth. ‘Let us not carp at little faults, but rejoice over the real and abundant good that we find here: he surpasses all the rest.’
“‘Not so. If he is a true genius, he can bear the sharp voice of censure. There are people enough to praise him. Don’t let us quite turn his head.’
“‘Decided talent,’ wrote the editor, ‘with the usual carelessness. that he can write incorrect verses may be seen in page 25, where there are two false quantities. We recommend him to study the ancients, etc.’
“I went away,” continued the Moon, “and looked through the windows in the aunt’s house. There sat the be-praised poet, the tame one; all the guests paid homage to him, and he was happy.
“I sought the other poet out, the wild one; him also I found in a great assembly at his patron’s, where the tame poet’s book was being discussed.
“‘I shall read yours also,’ said Maecenas; ‘but to speak honestly— you know I never hide my opinion from you—I don’t expect much from it, for you are much too wild, too fantastic. But it must be allowed that, as a man, you are highly respectable.’
“A young girl sat in a corner; and she read in a book these words:
“‘In the dust lies genius and glory,
But ev’ry-day talent will pay.
It’s only the old, old story,
But the piece is repeated each day.’”
Thirteenth Evening
THE Moon said, “Beside the woodland path there are two small farm-houses. The doors are low, and some of the windows are placed quite high, and others close to the ground; and whitethorn and barberry bushes grow around them. The roof of each house is overgrown with moss and with yellow flowers and houseleek. Cabbage and potatoes are the only plants cultivated in the gardens, but out of the hedge there grows a willow tree, and under this willow tree sat a little girl, and she sat with her eyes fixed upon the old oak tree between the two huts.
“It was an old withered stem. It had been sawn off at the top, and a stork had built his nest upon it; and he stood in this nest clapping with his beak. A little boy came and stood by the girl’s side: they were brother and sister.
“‘What are you looking at?’ he asked.
“‘I’m watching the stork,’ she replied: ‘our neighbors told me that he would bring us a little brother or sister to-day; let us watch to see it come!’
“‘The stork brings no such things,’ the boy declared, ‘you may be sure of that. Our neighbor told me the same thing, but she laughed when she said it, and so I asked her if she could say ‘On my honor,’ and she could not; and I know by that the story about the storks is not true, and that they only tell it to us children for fun.’
“‘But where do babies come from, then?’ asked the girl.
“‘Why, an angel from heaven brings them under his cloak, but no man can see him; and that’s why we never know when he brings them.’
“At that moment there was a rustling in the branches of the willow tree, and the children folded their hands and looked at one another: it was certainly the angel coming with the baby. They took each other’s hand, and at that moment the door of one of the houses opened, and the neighbour appeared.
“‘Come in, you two,’ she said. ‘See what the stork has brought. It is a little brother.’
“And the children nodded gravely at one another, for they had felt quite sure already that the baby was come.”
Fourteenth Evening
I WAS gliding over the Luneburg Heath,” the Moon said. “A lonely hut stood by the wayside, a few scanty bushes grew near it, and a nightingale who had lost his way sang sweetly. He died in the coldness of the night: it was his farewell song that I heard.
“The morning dawn came glimmering red. I saw a caravan of emigrant peasant families who were bound to Hamburgh, there to take ship for America, where fancied prosperity would bloom for them. The mothers carried their little children at their backs, the elder ones tottered by their sides, and a poor starved horse tugged at a cart that bore their scanty effects. The cold wind whistled, and therefore the little girl nestled closer to the mother, who, looking up at my decreasing disc, thought of the bitter want at home, and spoke of the heavy taxes they had not been able to raise. The whole caravan thought of the same thing; therefore, the rising dawn seemed to them a message from the sun, of fortune that was to gleam brightly upon them. They heard the dying nightingale sing; it was no false prophet, but a harbinger of fortune. The wind whistled, therefore they did not understand that the nightingale sung, ‘Fare away over the sea! Thou hast paid the long passage with all that was thine, and poor and helpless shalt thou enter Canaan. Thou must sell thyself, thy wife, and thy children. But your griefs shall not last long. Behind the broad fragrant leaves lurks the goddess of Death, and her welcome kiss shall breathe fever into thy blood. Fare away, fare away, over the heaving billows.’ And the caravan listened well pleased to the song of the nightingale, which seemed to promise good fortune. Day broke through the light clouds; country people went across the heath to church; the black-gowned women with their white head-dresses looked like ghosts that had stepped forth from the church pictures. All around lay a wide dead plain, covered with faded brown heath, and black charred spaces between the white sand hills. The women carried hymn books, and walked into the church. Oh, pray, pray for those who are wandering to find graves beyond the foaming billows.”
Fifteenth Evening
I KNOW a Pulcinella,” the Moon told me. “The public applaud vociferously directly they see him. Every one of his movements is comic, and is sure to throw the house into convulsions of laughter; and yet there is no art in it all—it is complete nature. When he was yet a little boy, playing about with other boys, he was already Punch. Nature had intended him for it, and had provided him with a hump on his back, and another on his breast; but his inward man, his mind, on the contrary, was richly furnished. No one could surpass him in depth of feeling or in readiness of intellect. The theatre was his ideal world. If he had possessed a slender well-shaped figure, he might have been the first tragedian on any stage; the heroic, the great, filled his soul; and yet he had to become a Pulcinella. His very sorrow and melancholy did but increase the comic dryness of his sharply-cut features, and increased the laughter of the audience, who showered plaudits on their favourite. The lovely Columbine was indeed kind and cordial to him; but she preferred to marry the Harlequin. It would have been too ridiculous if beauty and ugliness had in reality paired together.
“When Pulcinella was in very bad spirits, she was the only one who could force a hearty burst of laughter, or even a smile from him: first she would be melancholy with him, then quieter, and at last quite cheerful and happy. ‘I know very well what is the matter with you,’ she said; ‘yes, you’re in love!’ And he could not help laughing. ‘I and Love,’ he cried, ‘that would have an absurd look. How the public would shout!’ ‘Certainly, you are in love,’ she continued; and added with a comic pathos, ‘and I am the person you are in love with.’ You see, such a thing may be said when it is quite out of the question—and, indeed, Pulcinella burst out laughing, and gave a leap into the air, and his melancholy was forgotten.
“And yet she had only spoken the truth. He did love her, love her adoringly, as he loved what was great and lofty in art. At her wedding he was the merriest among the guests, but in the stillness of night he wept: if the public had seen his distorted face then, they would have applauded rapturously.
“And a few days ago, Columbine died. On the day of the funeral, Harlequin was not required to show himself on the boards, for he was a disconsolate widower. The director had to give a very merry piece, that the public might not too painfully miss the pretty Columbine and the agile Harlequin. Therefore Pulcinella had to be more boisterous and extravagant than ever; and he danced and capered, with despair in his heart; and the audience yelled, and shouted ‘bravo, bravissimo!’ Pulcinella was actually called before the curtain. He was pronounced inimitable.
“But last night the hideous little fellow went out of the town, quite alone, to the deserted churchyard. The wreath of flowers on Columbine’s grave was already faded, and he sat down there. It was a study for a painter. As he sat with his chin on his hands, his eyes turned up towards me, he looked like a grotesque monument—a Punch on a grave—peculiar and whimsical! If the people could have seen their favourite, they would have cried as usual, ‘Bravo, Pulcinella; bravo, bravissimo!’ ”
Sixteenth Evening
HEAR what the Moon told me. “I have seen the cadet who had just been made an officer put on his handsome uniform for the first time; I have seen the young bride in her wedding dress, and the princess girl-wife happy in her gorgeous robes; but never have I seen a felicity equal to that of a little girl of four years old, whom I watched this evening. She had received a new blue dress, and a new pink hat, the splendid attire had just been put on, and all were calling for a candle, for my rays, shining in through the windows of the room, were not bright enough for the occasion, and further illumination was required. There stood the little maid, stiff and upright as a doll, her arms stretched painfully straight out away from the dress, and her fingers apart; and oh, what happiness beamed from her eyes, and from her whole countenance! ‘To-morrow you shall go out in your new clothes,’ said her mother; and the little one looked up at her hat, and down at her frock, and smiled brightly. ‘Mother,’ she cried, ‘what will the little dogs think, when they see me in these splendid new things?’”
Seventeenth Evening
I HAVE spoken to you of Pompeii,” said the Moon; “that corpse of a city, exposed in the view of living towns: I know another sight still more strange, and this is not the corpse, but the spectre of a city. Whenever the jetty fountains splash into the marble basins, they seem to me to be telling the story of the floating city. Yes, the spouting water may tell of her, the waves of the sea may sing of her fame! On the surface of the ocean a mist often rests, and that is her widow’s veil. The bridegroom of the sea is dead, his palace and his city are his mausoleum! Dost thou know this city? She has never heard the rolling of wheels or the hoof-tread of horses in her streets, through which the fish swim, while the black gondola glides spectrally over the green water. I will show you the place,” continued the Moon, “the largest square in it, and you will fancy yourself transported into the city of a fairy tale. The grass grows rank among the broad flagstones, and in the morning twilight thousands of tame pigeons flutter around the solitary lofty tower. On three sides you find yourself surrounded by cloistered walks. In these the silent Turk sits smoking his long pipe, the handsome Greek leans against the pillar and gazes at the upraised trophies and lofty masts, memorials of power that is gone. The flags hang down like mourning scarves. A girl rests there: she has put down her heavy pails filled with water, the yoke with which she has carried them rests on one of her shoulders, and she leans against the mast of victory. That is not a fairy palace you see before you yonder, but a church: the gilded domes and shining orbs flash back my beams; the glorious bronze horses up yonder have made journeys, like the bronze horse in the fairy tale: they have come hither, and gone hence, and have returned again. Do you notice the variegated splendour of the walls and windows? It looks as if Genius had followed the caprices of a child, in the adornment of these singular temples. Do you see the winged lion on the pillar? The gold glitters still, but his wings are tied—the lion is dead, for the king of the sea is dead; the great halls stand desolate, and where gorgeous paintings hung of yore, the naked wall now peers through. The lazzarone sleeps under the arcade, whose pavement in old times was to be trodden only by the feet of high nobility. From the deep wells, and perhaps from the prisons by the Bridge of Sighs, rise the accents of woe, as at the time when the tambourine was heard in the gay gondolas, and the golden ring was cast from the Bucentaur to Adria, the queen of the seas. Adria! shroud thyself in mists; let the veil of thy widowhood shroud thy form, and clothe in the weeds of woe the mausoleum of thy bridegroom—the marble, spectral Venice.”
Eighteenth Evening
I LOOKED down upon a great theatre,” said the Moon. “The house was crowded, for a new actor was to make his first appearance that night. My rays glided over a little window in the wall, and I saw a painted face with the forehead pressed against the panes. It was the hero of the evening. The knighly beard curled crisply about the chin; but there were tears in the man’s eyes, for he had been hissed off, and indeed with reason. The poor Incapable! But Incapables cannot be admitted into the empire of Art. He had deep feeling, and loved his art enthusiastically, but the art loved not him. The prompter’s bell sounded; ‘the hero enters with a determined air,’ so ran the stage direction in his part, and he had to appear before an audience who turned him into ridicule. When the piece was over, I saw a form wrapped in a mantle, creeping down the steps: it was the vanquished knight of the evening. The scene-shifters whispered to one another, and I followed the poor fellow home to his room. To hang one’s self is to die a mean death, and poison is not always at hand, I know; but he thought of both. I saw how he looked at his pale face in the glass, with eyes half closed, to see if he should look well as a corpse. A man may be very unhappy, and yet exceedingly affected. He thought of death, of suicide; I believe he pitied himself, for he wept bitterly, and when a man has had his cry out he doesn’t kill himself.
“Since that time a year had rolled by. Again a play was to be acted, but in a little theatre, and by a poor strolling company. Again I saw the well-remembered face, with the painted cheeks and the crisp beard. He looked up at me and smiled; and yet he had been hissed off only a minute before—hissed off from a wretched theatre, by a miserable audience. And tonight a shabby hearse rolled out of the town-gate. It was a suicide—our painted, despised hero. The driver of the hearse was the only person present, for no one followed except my beams. In a corner of the churchyard the corpse of the suicide was shovelled into the earth, and nettles will soon be growing rankly over his grave, and the sexton will throw thorns and weeds from the other graves upon it.”
Nineteenth Evening
I COME from Rome,” said the Moon. “In the midst of the city, upon one of the seven hills, lie the ruins of the imperial palace. The wild fig tree grows in the clefts of the wall, and covers the nakedness thereof with its broad grey-green leaves; trampling among heaps of rubbish, the ass treads upon green laurels, and rejoices over the rank thistles. From this spot, whence the eagles of Rome once flew abroad, whence they ‘came, saw, and conquered,’ our door leads into a little mean house, built of clay between two pillars; the wild vine hangs like a mourning garland over the crooked window. An old woman and her little granddaughter live there: they rule now in the palace of the Caesars, and show to strangers the remains of its past glories. Of the splendid throne-hall only a naked wall yet stands, and a black cypress throws its dark shadow on the spot where the throne once stood. The dust lies several feet deep on the broken pavement; and the little maiden, now the daughter of the imperial palace, often sits there on her stool when the evening bells ring. The keyhole of the door close by she calls her turret window; through this she can see half Rome, as far as the mighty cupola of St. Peter’s.
“On this evening, as usual, stillness reigned around; and in the full beam of my light came the little granddaughter. On her head she carried an earthen pitcher of antique shape filled with water. Her feet were bare, her short frock and her white sleeves were torn. I kissed her pretty round shoulders, her dark eyes, and black shining hair. She mounted the stairs; they were steep, having been made up of rough blocks of broken marble and the capital of a fallen pillar. The coloured lizards slipped away, startled, from before her feet, but she was not frightened at them. Already she lifted her hand to pull the door-bell—a hare’s foot fastened to a string formed the bell-handle of the imperial palace. She paused for a moment—of what might she be thinking? Perhaps of the beautiful Christ-child, dressed in gold and silver, which was down below in the chapel, where the silver candlesticks gleamed so bright, and where her little friends sung the hymns in which she also could join? I know not. Presently she moved again—she stumbled: the earthen vessel fell from her head, and broke on the marble steps. She burst into tears. The beautiful daughter of the imperial palace wept over the worthless broken pitcher; with her bare feet she stood there weeping; and dared not pull the string, the bell-rope of the imperial palace!”
Twentieth Evening
IT was more than a fortnight since the Moon had shone. Now he stood once more, round and bright, above the clouds, moving slowly onward. Hear what the Moon told me.
“From a town in Fezzan I followed a caravan. On the margin of the sandy desert, in a salt plain, that shone like a frozen lake, and was only covered in spots with light drifting sand, a halt was made. The eldest of the company—the water gourd hung at his girdle, and on his head was a little bag of unleavened bread—drew a square in the sand with his staff, and wrote in it a few words out of the Koran, and then the whole caravan passed over the consecrated spot. A young merchant, a child of the East, as I could tell by his eye and his figure, rode pensively forward on his white snorting steed. Was he thinking, perchance, of his fair young wife? It was only two days ago that the camel, adorned with furs and with costly shawls, had carried her, the beauteous bride, round the walls of the city, while drums and cymbals had sounded, the women sang, and festive shots, of which the bridegroom fired the greatest number, resounded round the camel; and now he was journeying with the caravan across the desert.
“For many nights I followed the train. I saw them rest by the wellside among the stunted palms; they thrust the knife into the breast of the camel that had fallen, and roasted its flesh by the fire. My beams cooled the glowing sands, and showed them the black rocks, dead islands in the immense ocean of sand. No hostile tribes met them in their pathless route, no storms arose, no columns of sand whirled destruction over the journeying caravan. At home the beautiful wife prayed for her husband and her father. ‘Are they dead?’ she asked of my golden crescent; ‘Are they dead?’ she cried to my full disc. Now the desert lies behind them. This evening they sit beneath the lofty palm trees, where the crane flutters round them with its long wings, and the pelican watches them from the branches of the mimosa. The luxuriant herbage is trampled down, crushed by the feet of elephants. A troop of negroes are returning from a market in the interior of the land: the women, with copper buttons in their black hair, and decked out in clothes dyed with indigo, drive the heavily-laden oxen, on whose backs slumber the naked black children. A negro leads a young lion which he has brought, by a string. They approach the caravan; the young merchant sits pensive and motionless, thinking of his beautiful wife, dreaming, in the land of the blacks, of his white lily beyond the desert. He raises his head, and—” But at this moment a cloud passed before the Moon, and then another. I heard nothing more from him this evening.
Twenty-First Evening
I SAW a little girl weeping,” said the Moon; “she was weeping over the depravity of the world. She had received a most beautiful doll as a present. Oh, that was a glorious doll, so fair and delicate! She did not seem created for the sorrows of this world. But the brothers of the little girl, those great naughty boys, had set the doll high up in the branches of a tree and had run away.
“The little girl could not reach up to the doll, and could not help her down, and that is why she was crying. The doll must certainly have been crying too, for she stretched out her arms among the green branches, and looked quite mournful. Yes, these are the troubles of life of which the little girl had often heard tell. Alas, poor doll! it began to grow dark already; and suppose night were to come on completely! Was she to be left sitting on the bough all night long? No, the little maid could not make up her mind to that. ‘I’ll stay with you,’ she said, although she felt anything but happy in her mind. She could almost fancy she distinctly saw little gnomes, with their high-crowned hats, sitting in the bushes; and further back in the long walk, tall spectres appeared to be dancing. They came nearer and nearer, and stretched out their hands towards the tree on which the doll sat; they laughed scornfully, and pointed at her with their fingers. Oh, how frightened the little maid was! ‘But if one has not done anything wrong,’ she thought, ‘nothing evil can harm one. I wonder if I have done anything wrong?’ And she considered. ‘Oh, yes! I laughed at the poor duck with the red rag on her leg; she limped along so funnily, I could not help laughing; but it’s a sin to laugh at animals.’ And she looked up at the doll. ‘Did you laugh at the duck too?’ she asked; and it seemed as if the doll shook her head.”
Twenty-Second Evening
I LOOKED down upon Tyrol,” said the Moon, “and my beams caused the dark pines to throw long shadows upon the rocks. I looked at the pictures of St. Christopher carrying the Infant Jesus that are painted there upon the walls of the houses, colossal figures reaching from the ground to the roof. St. Florian was represented pouring water on the burning house, and the Lord hung bleeding on the great cross by the wayside. To the present generation these are old pictures, but I saw when they were put up, and marked how one followed the other. On the brow of the mountain yonder is perched, like a swallow’s nest, a lonely convent of nuns. Two of the sisters stood up in the tower tolling the bell; they were both young, and therefore their glances flew over the mountain out into the world. A travelling coach passed by below, the postillion wound his horn, and the poor nuns looked after the carriage for a moment with a mournful glance, and a tear gleamed in the eyes of the younger one. And the horn sounded faint and more faintly, and the convent bell drowned its expiring echoes.”
Twenty-Third Evening
HEAR what the Moon told me. “Some years ago, here in Copenhagen, I looked through the window of a mean little room. The father and mother slept, but the little son was not asleep. I saw the flowered cotton curtains of the bed move, and the child peep forth. At first I thought he was looking at the great clock, which was gaily painted in red and green. At the top sat a cuckoo, below hung the heavy leaden weights, and the pendulum with the polished disc of metal went to and fro, and said ‘tick, tick.’ But no, he was not looking at the clock, but at his mother’s spinning wheel, that stood just underneath it. That was the boy’s favourite piece of furniture, but he dared not touch it, for if he meddled with it he got a rap on the knuckles. For hours together, when his mother was spinning, he would sit quietly by her side, watching the murmuring spindle and the revolving wheel, and as he sat he thought of many things. Oh, if he might only turn the wheel himself! Father and mother were asleep; he looked at them, and looked at the spinning wheel, and presently a little naked foot peered out of the bed, and then a second foot, and then two little white legs. There he stood. He looked round once more, to see if father and mother were still asleep—yes, they slept; and now he crept softly, softly, in his short little nightgown, to the spinning wheel, and began to spin. The thread flew from the wheel, and the wheel whirled faster and faster. I kissed his fair hair and his blue eyes, it was such a pretty picture.
“At that moment the mother awoke. The curtain shook, she looked forth, and fancied she saw a gnome or some other kind of little spectre. ‘In Heaven’s name!’ she cried, and aroused her husband in a frightened way. He opened his eyes, rubbed them with his hands, and looked at the brisk little lad. ‘Why, that is Bertel,’ said he. And my eye quitted the poor room, for I have so much to see. At the same moment I looked at the halls of the Vatican, where the marble gods are enthroned. I shone upon the group of the Laocoon; the stone seemed to sigh. I pressed a silent kiss on the lips of the Muses, and they seemed to stir and move. But my rays lingered longest about the Nile group with the colossal god. Leaning against the Sphinx, he lies there thoughtful and meditative, as if he were thinking on the rolling centuries; and little love-gods sport with him and with the crocodiles. In the horn of plenty sat with folded arms a little tiny love-god, contemplating the great solemn river-god, a true picture of the boy at the spinning wheel—the features were exactly the same. Charming and life-like stood the little marble form, and yet the wheel of the year has turned more than a thousand times since the time when it sprang forth from the stone. Just as often as the boy in the little room turned the spinning wheel had the great wheel murmured, before the age could again call forth marble gods equal to those he afterwards formed.
“Years have passed since all this happened,” the Moon went on to say. “Yesterday I looked upon a bay on the eastern coast of Denmark. Glorious woods are there, and high trees, an old knightly castle with red walls, swans floating in the ponds, and in the background appears, among orchards, a little town with a church. Many boats, the crews all furnished with torches, glided over the silent expanse—but these fires had not been kindled for catching fish, for everything had a festive look. Music sounded, a song was sung, and in one of the boats the man stood erect to whom homage was paid by the rest, a tall sturdy man, wrapped in a cloak. He had blue eyes and long white hair. I knew him, and thought of the Vatican, and of the group of the Nile, and the old marble gods. I thought of the simple little room where little Bertel sat in his night-shirt by the spinning wheel. The wheel of time has turned, and new gods have come forth from the stone. From the boats there arose a shout: ‘Hurrah, hurrah for Bertel Thorwaldsen!’”
Twenty-Fourth Evening
I WILL now give you a picture from Frankfort,” said the Moon. “I especially noticed one building there. It was not the house in which Goethe was born, nor the old Council House, through whose grated windows peered the horns of the oxen that were roasted and given to the people when the emperors were crowned. No, it was a private house, plain in appearance, and painted green. It stood near the old Jews’ Street. It was Rothschild’s house.
“I looked through the open door. The staircase was brilliantly lighted: servants carrying wax candles in massive silver candlesticks stood there, and bowed low before an old woman, who was being brought downstairs in a litter. The proprietor of the house stood bare-headed, and respectfully imprinted a kiss on the hand of the old woman. She was his mother. She nodded in a friendly manner to him and to the servants, and they carried her into the dark narrow street, into a little house, that was her dwelling. Here her children had been born, from hence the fortune of the family had arisen. If she deserted the despised street and the little house, fortune would also desert her children. That was her firm belief.”
The Moon told me no more; his visit this evening was far too short. But I thought of the old woman in the narrow despised street. It would have cost her but a word, and a brilliant house would have arisen for her on the banks of the Thames—a word, and a villa would have been prepared in the Bay of Naples.
“If I deserted the lowly house, where the fortunes of my sons first began to bloom, fortune would desert them!” It was a superstition, but a superstition of such a class, that he who knows the story and has seen this picture, need have only two words placed under the picture to make him understand it; and these two words are: “A mother.”
Twenty-Fifth Evening
IT was yesterday, in the morning twilight”—these are the words the Moon told me—“in the great city no chimney was yet smoking—and it was just at the chimneys that I was looking. Suddenly a little head emerged from one of them, and then half a body, the arms resting on the rim of the chimney-pot. ‘Ya-hip! ya-hip!’ cried a voice. It was the little chimney-sweeper, who had for the first time in his life crept through a chimney, and stuck out his head at the top. ‘Ya-hip! ya-hip’ Yes, certainly that was a very different thing to creeping about in the dark narrow chimneys! the air blew so fresh, and he could look over the whole city towards the green wood. The sun was just rising. It shone round and great, just in his face, that beamed with triumph, though it was very prettily blacked with soot.
“‘The whole town can see me now,’ he exclaimed, ‘and the moon can see me now, and the sun too. Ya-hip! ya-hip!’ And he flourished his broom in triumph.”
Twenty-Sixth Evening
LAST night I looked down upon a town in China,” said the Moon. “My beams irradiated the naked walls that form the streets there. Now and then, certainly, a door is seen; but it is locked, for what does the Chinaman care about the outer world? Close wooden shutters covered the windows behind the walls of the houses; but through the windows of the temple a faint light glimmered. I looked in, and saw the quaint decorations within. From the floor to the ceiling pictures are painted, in the most glaring colours, and richly gilt— pictures representing the deeds of the gods here on earth. In each niche statues are placed, but they are almost entirely hidden by the coloured drapery and the banners that hang down. Before each idol (and they are all made of tin) stood a little altar of holy water, with flowers and burning wax lights on it. Above all the rest stood Fo, the chief deity, clad in a garment of yellow silk, for yellow is here the sacred colour. At the foot of the altar sat a living being, a young priest. He appeared to be praying, but in the midst of his prayer he seemed to fall into deep thought, and this must have been wrong, for his cheeks glowed and he held down his head. Poor Soui-Hong! Was he, perhaps, dreaming of working in the little flower garden behind the high street wall? And did that occupation seem more agreeable to him than watching the wax lights in the temple? Or did he wish to sit at the rich feast, wiping his mouth with silver paper between each course? Or was his sin so great that, if he dared utter it, the Celestial Empire would punish it with death? Had his thoughts ventured to fly with the ships of the barbarians, to their homes in far distant England? No, his thoughts did not fly so far, and yet they were sinful, sinful as thoughts born of young hearts, sinful here in the temple, in the presence of Fo and the other holy gods.
“I know whither his thoughts had strayed. At the farther end of the city, on the flat roof paved with porcelain, on which stood the handsome vases covered with painted flowers, sat the beauteous Pu, of the little roguish eyes, of the full lips, and of the tiny feet. The tight shoe pained her, but her heart pained her still more. She lifted her graceful round arm, and her satin dress rustled. Before her stood a glass bowl containing four gold-fish. She stirred the bowl carefully with a slender lacquered stick, very slowly, for she, too, was lost in thought. Was she thinking, perchance, how the fishes were richly clothed in gold, how they lived calmly and peacefully in their crystal world, how they were regularly fed, and yet how much happier they might be if they were free? Yes, that she could well understand, the beautiful Pu. Her thoughts wandered away from her home, wandered to the temple, but not for the sake of holy things. Poor Pu! Poor Soui-hong!
“Their earthly thoughts met, but my cold beam lay between the two, like the sword of the cherub.”
Twenty-Seventh Evening
THE air was calm,” said the Moon; “the water was transparent as the purest ether through which I was gliding, and deep below the surface I could see the strange plants that stretched up their long arms towards me like the gigantic trees of the forest. The fishes swam to and fro above their tops. High in the air a flight of wild swans were winging their way, one of which sank lower and lower, with wearied pinions, his eyes following the airy caravan, that melted farther and farther into the distance. With outspread wings he sank slowly, as a soap bubble sinks in the still air, till he touched the water. At length his head lay back between his wings, and silently he lay there, like a white lotus flower upon the quiet lake. And a gentle wind arose, and crisped the quiet surface, which gleamed like the clouds that poured along in great broad waves; and the swan raised his head, and the glowing water splashed like blue fire over his breast and back. The morning dawn illuminated the red clouds, the swan rose strengthened, and flew towards the rising sun, towards the bluish coast whither the caravan had gone; but he flew alone, with a longing in his breast. Lonely he flew over the blue swelling billows.”
Twenty-Eighth Evening
I WILL give you another picture of Sweden,” said the Moon. “Among dark pine woods, near the melancholy banks of the Stoxen, lies the old convent church of Wreta. My rays glided through the grating into the roomy vaults, where kings sleep tranquilly in great stone coffins. On the wall, above the grave of each, is placed the emblem of earthly grandeur, a kingly crown; but it is made only of wood, painted and gilt, and is hung on a wooden peg driven into the wall. The worms have gnawed the gilded wood, the spider has spun her web from the crown down to the sand, like a mourning banner, frail and transient as the grief of mortals. How quietly they sleep! I can remember them quite plainly. I still see the bold smile on their lips, that so strongly and plainly expressed joy or grief. When the steamboat winds along like a magic snail over the lakes, a stranger often comes to the church, and visits the burial vault; he asks the names of the kings, and they have a dead and forgotten sound. He glances with a smile at the worm-eaten crowns, and if he happens to be a pious, thoughtful man, something of melancholy mingles with the smile. Slumber on, ye dead ones! The Moon thinks of you, the Moon at night sends down his rays into your silent kingdom, over which hangs the crown of pine wood.”
Twenty-Ninth Evening
CLOSE by the high-road,” said the Moon, “is an inn, and opposite to it is a great waggon-shed, whose straw roof was just being re-thatched. I looked down between the bare rafters and through the open loft into the comfortless space below. The turkey-cock slept on the beam, and the saddle rested in the empty crib. In the middle of the shed stood a travelling carriage; the proprietor was inside, fast asleep, while the horses were being watered. The coachman stretched himself, though I am very sure that he had been most comfortably asleep half the last stage. The door of the servants’ room stood open, and the bed looked as if it had been turned over and over; the candle stood on the floor, and had burnt deep down into the socket. The wind blew cold through the shed: it was nearer to the dawn than to midnight. In the wooden frame on the ground slept a wandering family of musicians. The father and mother seemed to be dreaming of the burning liquor that remained in the bottle. The little pale daughter was dreaming too, for her eyes were wet with tears. The harp stood at their heads, and the dog lay stretched at their feet.”
Thirtieth Evening
IT was in a little provincial town,” the Moon said; “it certainly happened last year, but that has nothing to do with the matter. I saw it quite plainly. To-day I read about it in the papers, but there it was not half so clearly expressed. In the taproom of the little inn sat the bear leader, eating his supper; the bear was tied up outside, behind the wood pile—poor Bruin, who did nobody any harm, though he looked grim enough. Up in the garret three little children were playing by the light of my beams; the eldest was perhaps six years old, the youngest certainly not more than two. ‘Tramp, tramp’— somebody was coming upstairs: who might it be? The door was thrust open—it was Bruin, the great, shaggy Bruin! He had got tired of waiting down in the courtyard, and had found his way to the stairs. I saw it all,” said the Moon. “The children were very much frightened at first at the great shaggy animal; each of them crept into a corner, but he found them all out, and smelt at them, but did them no harm. ‘This must be a great dog,’ they said, and began to stroke him. He lay down upon the ground, the youngest boy clambered on his back, and bending down a little head of golden curls, played at hiding in the beast’s shaggy skin. Presently the eldest boy took his drum, and beat upon it till it rattled again; the bear rose upon his hind legs, and began to dance. It was a charming sight to behold. Each boy now took his gun, and the bear was obliged to have one too, and he held it up quite properly. Here was a capital playmate they had found; and they began marching—one, two; one, two.
“Suddenly some one came to the door, which opened, and the mother of the children appeared. You should have seen her in her dumb terror, with her face as white as chalk, her mouth half open, and her eyes fixed in a horrified stare. But the youngest boy nodded to her in great glee, and called out in his infantile prattle, ‘We’re playing at soldiers.’ And then the bear leader came running up.”
Thirty-First Evening
THE wind blew stormy and cold, the clouds flew hurriedly past; only for a moment now and then did the Moon become visible. He said, “I looked down from the silent sky upon the driving clouds, and saw the great shadows chasing each other across the earth. I looked upon a prison. A closed carriage stood before it; a prisoner was to be carried away. My rays pierced through the grated window towards the wall; the prisoner was scratching a few lines upon it, as a parting token; but he did not write words, but a melody, the outpouring of his heart. The door was opened, and he was led forth, and fixed his eyes upon my round disc. Clouds passed between us, as if he were not to see his face, nor I his. He stepped into the carriage, the door was closed, the whip cracked, and the horses gallopped off into the thick forest, whither my rays were not able to follow him; but as I glanced through the grated window, my rays glided over the notes, his last farewell engraved on the prison wall—where words fail, sounds can often speak. My rays could only light up isolated notes, so the greater part of what was written there will ever remain dark to me. Was it the death-hymn he wrote there? Were these the glad notes of joy? Did he drive away to meet death, or hasten to the embraces of his beloved? The rays of the Moon do not read all that is written by mortals.”
Thirty-Second Evening
I LOVE the children,” said the Moon, “especially the quite little ones—they are so droll. Sometimes I peep into the room, between the curtain and the window frame, when they are not thinking of me. It gives me pleasure to see them dressing and undressing. First, the little round naked shoulder comes creeping out of the frock, then the arm; or I see how the stocking is drawn off, and a plump little white leg makes its appearance, and a white little foot that is fit to be kissed, and I kiss it too.
“But about what I was going to tell you. This evening I looked through a window, before which no curtain was drawn, for nobody lives opposite. I saw a whole troop of little ones, all of one family, and among them was a little sister. She is only four years old, but can say her prayers as well as any of the rest. The mother sits by her bed every evening, and hears her say her prayers; and then she has a kiss, and the mother sits by the bed till the little one has gone to sleep, which generally happens as soon as ever she can close her eyes.
“This evening the two elder children were a little boisterous. One of them hopped about on one leg in his long white nightgown, and the other stood on a chair surrounded by the clothes of all the children, and declared he was acting Grecian statues. The third and fourth laid the clean linen carefully in the box, for that is a thing that has to be done; and the mother sat by the bed of the youngest, and announced to all the rest that they were to be quiet, for little sister was going to say her prayers.
“I looked in, over the lamp, into the little maiden’s bed, where she lay under the neat white coverlet, her hands folded demurely and her little face quite grave and serious. She was praying the Lord’s prayer aloud. But her mother interrupted her in the middle of her prayer. ‘How is it,’ she asked, ‘that when you have prayed for daily bread, you always add something I cannot understand? You must tell me what that is.’ The little one lay silent, and looked at her mother in embarrassment. ‘What is it you say after our daily bread?’ ‘Dear mother, don’t be angry: I only said, and plenty of butter on it.’”